The exhibition reveals the artist’s works from the capital of the Ottoman Empire. More specifically: Topographic views and folding panoramas of Istanbul, individual scenes from different neighbourhoods of Istanbul, monuments, temples, Ottoman palaces, halls of the seraglios, gates, mosques, funerary monuments, fountains, gates, the yalı on the Bosporus, the sultan’s entertainments boats. Other scenes include details from market shops, coffee shops, images of various men, women with children of Istanbul, depictions of costumes, architectural details, accompanied by lengthy explanations and descriptions with comments. The works are of excellent quality because Thomas Hope was an unparalleled designer, a virtuoso of linear draftsmanship comparable to the qualities of a miniature painter. However, the importance of the Thomas Hope collection is not limited to the aesthetic pleasure it offers to art enthusiasts. The designs constitute a unique treasure of visual testimonies for the scholars of the Ottoman civilization.
Dr Fani Maria Tsigakou, art historian & Mina Moraitou, curator of the Benaki Museum of Islamic Art
The exhibition is accompanied by a bi-lingual publication under the same title, edited by the curators of the exhibition.